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5

Vol.

17

Issue

From New York to Japan, an exploration of the fine line between pleasure and pain in Toshiya Kamei’s “Sworn Brothers.” Monica Woelfel examines the limits and rewards of empathy in “What Carries Us Across.” David B. Prather allows light to shine on the most intimate of moments in three poems including “I Am Only a Part […]

5

Vol.

16

Issue

Phillip Hurst explores the line between wanted and unwanted books, in “In the Library of Shelved Dreams.” Richard Hague celebrates the emergence the southwest Ohio Brood X cicada in a sequence of poems including “The Mind That’s in the Tool.” And transport yourself to 1971 and acquaint yourself with the complicated life of Evelyn, in Karen […]

5

Vol.

15

Issue

In this all-poetry issue, Kate Maude celebrates all that is hard to name, in four poems including “The Prompt Was to Write About Evil.” Pauletta Hansel gives voice to generations of her ancestors in poems including “Portrait of My 7th Great-Grandmother as a Bible Story.” And Michael Garrigan explores environmental dislocation in three poems including “Dead Elk Antlers a Constellation.”

5

Vol.

14

Issue

Chrissie Anderson Peters writes about adopting a color for living, in “Purples.” A father and daughter unload their groceries along with their brief histories, in Ryan Peed‘s “Inescapable Things.” Sharon Perkins Ackerman investigates how a home becomes a shroud in four poems including “Family Cabin in a Coal Town.”

5

Vol.

13

Issue

In this all nonfiction issue, Amanda Irene Rush deals with the immediate present, in “This Is What We’re Doing Now.” Joe Aultman-Moore examines the eternal, in “Memory at the End of the World.” And Deb Fenwick offers some hard-won guidance, in “How to Support Your Elderly Father After Your Mother Dies: An Oldest Daughter’s Guide.”

5

Vol.

12

Issue

Margo Isidora Katz explores being a mother again, in “The Last Child.” Meredith Kirkwood walks the via negativa, resurrecting wounds through the voice to the Zero Womb in five poems including “The Wounded Woman.” And readers are encouraged to follow the light in Barrett Warner‘s “Marius.”

5

Vol.

11

Issue

An ambitious employee seeks a promotion in Michael Czyzniejewski’s “Bread & Butter.” A son examines how the past might echo into the future in Matt Miller‘s “The Build.” And Connie Jordan Green celebrates grace, gratitude, and the sun’s rule over the seasons and our lives in four poems including “Hayfield.”

5

Vol.

10

Issue

A woman leaves work abruptly to help her boyfriend’s sick child in Jennifer Morales’ “A Better Man.” Jim Elledge places a queer spin on the familiar, in three poems including “Orpheus Above Ground.” And Richard Holinger plays back some memories of childhood in “Manure Dreams.”

5

Vol.

09

Issue

In this all-fiction issue, Melissa Llanes Brownlee considers marine and family life in a triptych beginning with “tako poke.” A boy moves through the wake of his mother’s death in Fred Arroyo’s “Crow Bar.” And a loving son tries to protect his mother in Lisa Warternberg Vélez’s “Tequendama Falls, or The Encroachment of Old Catastrophes.”

5

Vol.

08

Issue

A glimpse of the rich couple/au pair relationship, in Romie Stott’s “Nanny in the Darkroom.” D. Walsh Gilbert writes about the biting wolf in all of us in three poems including “No Call Loud Enough.” And John Saul thinks about secrets and what hasn’t yet been said, in “Paris.”

5

Vol.

07

Issue

In this all-poetry issue, Carson Colenbaugh relishes the relationship between life and the taking of life in a suite of poems titled “Planting Winter Gardens.” Suzette Clark Bradshaw will make your mouth water in four poems that sizzle in their pain and delight including “A Murder for Jesus.” And Cathryn Essinger celebrates the patterns and connections that frame our lives, both […]

5

Vol.

06

Issue

In this all flash nonfiction issue, Andrew Bertaina thinks through what it means to be real in “Contingent Faculty.” Jackie Sizemore recalls what was never mentioned again in “Undercurrent.” And Anne Anthony gives advice born of experience in “Guidance for the Wide-Eyed Social Work Intern.”

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