i.
The TVA made electricity cheap for people in Appalachia.
The first light bulbs appeared like angel heads
on the mountain that folks watched every night like a movie screen.
After rinsing pork fat off the plates, what kind of feeling was it,
realizing they weren’t alone when they thought they’d been alone?
It’s not like the mountain was theirs.
ii.
Prometheus pitied cold humans’ uncooked meat,
resolving among themselves that night was night and cold was cold,
so he rebelled and gave them fire.
Fire made worshiping the gods harder.
Distracted by strobe lights, Mario Brothers, automated car washes, and possibility,
human beings lost satisfaction.
iii.
Wielding a flashlight at night, I can’t make out what rustles in the trees –
stray owl or pitbull – and I can’t sleep thinking about it.
Beneath the light bulb, I find Ambien in the cabinet.
I find the waist of my love who fell asleep after the fight.
It is night. There are many theres. Come here.
Through the monitor, I see the baby see the door, its cloud cover.
Once, I caught my mother leafing through my journal, ink drying on her mouth.
Therapy gave me the word boundary.
He picks up a cloth rabbit and rubs his eyes, head bobbing like a man at church.
When my mother read where I put my body on the weekends,
I wanted to slam three doors, crawl through a carpeted passage, and climb into a truck.
I will enter the room and lie his body flat and sing Edelweiss without breathing.
When does the mother stop wanting to eat the space
between her and the child though she pleaded in the dark for it?
I judged my mother’s hunger, though my breasts
swell with food and precisely fill a mouth.
The first year of my son’s life, I quit weedeating. Let weeds flower. Shame left alone is a forest. The
canary hovers in the milkweed’s white. I plant beef steak seeds and get cherries. Remove suckers too
late. The baby’s front teeth puncture tomato skin, scrape juice. The first summer of my son’s life,
worms eat the broccoli florets: exposed, supple, mortal. A wasp eats the worm, and I am in love
with wasps. The first summer of my son’s life, my chest x-ray shows transient osteopenia, meaning
when I wake with both tits emptied, my son has eaten my bones. A neighbor says Don’t make any big
decisions this year. A sunflower leans away from home. A house with a baby in it is full of hands. I
disappear. Perhaps I want to. Ivy crawls up the window like the window is a ripped seam. I call the
seamstress and she says nothing is broken. Her needlework is serious, and she leaves holes
everywhere.
Corrie Lynn White is a writer-at-large based in Chattanooga, Tennessee, where she lives with her husband and son. Originally from Gold Hill, North Carolina, she holds an MFA from UNC Greensboro. She currently works as a professional writer and content marketer, having formerly taught English at the high school and college levels. Her work has appeared in Oxford American, New Ohio Review, and Best New Poets, among other places. Her first full-length collection — Gold Hill Family Audio — won the 2021 Cowles Poetry Prize and was published through Southeast Missouri State University Press in October 2022. Due to the 2024 closure of SEMO Press, Gold Hill Family Audio can now be purchased through Bull City Press.
Illustrations of varieties of pigeons from Illustriertes Prachtwerk sämtlicher Taubenrassen (1906). Text by Emil Schachtzabel and illustrations by Anton Schoner.