It was time she took the shielding muzzle off.
Inside, the ugly
cancer—a gargoyle beast— had come alive.
A hard button
of concrete had bared its chiseled teeth.
It bit
until there could be little sleep, a howling
demon,
an incubus fattening up on mother’s milk.
Since werewolves
are birthed after midnight, lusting for blood, she
slept outside
one summer night with a full moon shining
on her face.
She drank rainwater from a muddy footprint
to become
that animal that devours—cursed, satanic.
She couldn’t wake
from canker’s nightmare. So, she bit back hard
—a wolf bitch—
tooth against tooth, a bare-knuckle fighter.
My mother was gone. I was driving home.
A red blaze burst from a broken window.
Gray smoke rose in the black night sky.
The backroad was silent in October’s autumn cold.
Mesmerized by bright flames, I finally pulled
the siren at the sleep-dark firehouse. It wailed.
Come, it called. Come quickly. Come now.
And the rescuers came, newly waked,
though too late to save the farmhouse
mercifully empty of child or hiding hound.
Just a charred shell like an orphaned daughter.
Helpless and distant in my green Skylark,
I mouthed, Hurry. I pled, Come back. Be sure.
But no embers lighted in the fallen leaves.
Mother, may these letters reach you,
written on what could be
the fallen leaves kicked in October,
heaped until they’re burned.
My hands callus with the raking of them.
Given a second chance, I now see lies of omission
as self-promise, a beautiful betrayal.
Buried for too long, I picked up a shovel
to scratch aside the rocks and dirt, to search
for the terrier gone to ground.
This is the hole. The foundation
of the skyscraper built toward the stars.
You pocketed the city the way I wear the forest.
Its dogwood has replaced your guard dog.
I carve your name into an oak
and encircle it with a heart. Beneath the tree,
the shadows dim interrogation’s spotlight,
intensify forgiveness, and pin me to a land
free of concrete sidewalks where
morning glories exist beside the poison ivy, in peace.
A dragon took you, no fairytale about it.
Your princess was left
to become another skinned animal.
But we read the story’s end together,
the one where Gretel frees her brother,
the one where one mighty blow kills the wolf.
It all begins and ends with blood,
a mother’s delivery, then something scars
the tree bark. Sap flows. Sticky, but sweet.
Faster in the cold, and I am hungry.
I could devour tomorrow,
and you say, Let me teach you how to bite.
A dual citizen of Ireland and the United States, D. Walsh Gilbert lives in Farmington, Connecticut, on a former sheep farm at the foot of the Talcott Mountain, previous homelands of the Tunxis and Sukiaugk peoples, near the oldest site of human occupation in Connecticut. Most recently, she published two verse-stories, Finches in Kilmainham and Misneach(Grayson Books). She serves with Riverwood Poetry Series and is co-editor of Connecticut River Review.
Madame Jumel’s Garden, c. 1936. Drawings included in the Index of American Design, 1946. [Via Public Domain Review and the National Gallery of Art.]