In this issue, Greg Bottoms wonders if the clothes make the boy into the man in “Getting Dressed, 1981.”
A medical examiner recalls a series of memories when a former lover shows up dead in Puloma Ghosh’s story “Natalya.”
And Luke Wortley explores the painful circularities that exist in the father-son paradigm in a group of surreal prose poems beginning with “Ouroboros.”
This issue features “killed” images from the 270,000 photographs commissioned by the U.S. Farm Security Administration to document the Great Depression. Learn about the history of this archive and why some images were “killed” by having a hole pinched through the negative in Erica X Eisen’s essay “The Kept and the Killed” for The Public Domain Review.