My father admonished me to remember you. He couldn’t have known how I would heed his warning. I don’t condemn your trespass, I commend you, don’t blame you for wanting to stay behind in a place where you had friends, unstained clothes, a name. I imagine your skeptical exit from the gates of Sodom, walking toward your life, the view stinging your eyes like desert sand. A clouded image of Lot, who didn’t fill your needs, but satisfied his greed when he pitched his tents. Looking back was better than blindly following a father who offered your daughters’ virtue, kept his honor locked behind doors, conspired with angels who lauded his intentions, grieved his union with an impure wife. My father warned me of the wrath that changed you to a pillar, scattered you throughout that razed city, but he didn’t know you were the one with power to cleanse, couldn’t fathom teaching me to remember just how much you are worth.
When I stepped from the scalding water onto my roof, I knew you would make me queen, would watch the Mikveh wash me pure, ready for the seed your smile promised. I didn’t know you would ordain Uriah’s death, that your god would smite our firstborn son (retribution for the so-called sin that made me finally your wife, secured my place in the bed where I conceived a king, watched you die) but not before I contrived your last wish, removed Adonijah from his throne, his mother from my palace, secured my place in the legacy, made Solomon your heir. Our fourth son, not our first whose birthright was usurped by whom Jeremiah calls your son, twenty-eight generations removed, King of the Jews, descendant of my tainted line.
I left my veils in the laps of men for whom I danced, ‘Round their necks, wrists—in this silken costume, I danced. At the birthday celebration befitting a lascivious king— Planned by my mother, a gift for her groom, I danced. Your guests witnessed you pledge your solemn oath To grant my wish, so in your reception room, I danced. Terracotta firelight flickered off my jeweled breasts, Kindling improper desire—perfumed, I danced. Thinking of John who spurned my incessant advances, Swaying to the suggestion of his coming doom, I danced. Gratified by my performance, you promised to make good. To sate the desire that leaves me consumed, I danced. Reluctantly you delivered his head on a bloody tray, Dressed his body, buried him, and at his tomb, I danced
I only wanted Hagar to bear my son. How could I have known she would love My husband, that when I asked him To send her and Ishmael away, his face Would reveal he loved her too, That I was right when I guessed He was in her bed (long after she conceived), That he was thinking of her When he hummed in the fields, When I caught his distracted gaze, When he kissed me goodnight. My barren body cannot compete With the thrill he must feel When the soft curves of her youth Respond again and again to his touch, Cannot elicit his body’s firm response With only the light pressure of an ankle Against his calf, the brush of a hand On his forearm, a probing tongue— Cannot bear to see his eyes follow her As she braids her hair, nurses their son, Cannot watch her become my husband’s wife.
Catherine Pritchard Childress lives in the shadow of Roan Mountain in East Tennessee. She teaches writing and literature at Lees-McRae College. Her poems have appeared in North American Review, Louisiana Literature, Connecticut Review, The Cape Rock, Still: The Journal, Appalachian Review, Stoneboat, and drafthorse among other journals. Her work has been anthologized in The Southern Poetry Anthology, Volumes VI and VII: Tennessee and North Carolina, and in Women Speak, Volumes VII and VIII. She is the author of the poetry collection Other. Her most recent collection is Outside the Frame, published by EastOver Press in 2023.
Still from “Purple Noon” (French: “Plein soleil”; Italian: “Delitto in pieno sole”; also known as “Full Sun,” “Blazing Sun,” “Lust for Evil,” and “Talented Mr. Ripley”), a 1960 crime thriller film directed by René Clément, loosely based on the 1955 novel The Talented Mr. Ripley by Patricia Highsmith.