Lord I miss my dog, he said, his smile collapsed by missing teeth, old blue tattoos of blurred wings and words circling the sinewed arm he reached out to my lab, who paid him no mind, intent on my fries. The only way I could stop that dog from begging was to show him my hands like a blackjack dealer, palm wiped against palm, then both palms shown, hands all skin no secrets, the first and second fingers on the right one stained yellow from smoking. No more, Buddy. No more, Boss. We all laughed. We all sipped our beer. We all tried the honest gesture on for size. He used to root me out of my chair. I gave him his own recliner. The February afternoon melted the unmelted snow edging the weeds edging the bar’s grimy deck. We all imagined a big dog stretched out in his own recliner— like a god of happiness and appetite— and then we laughed some more and got pretty drunk for it to still be daylight.
Cushy Cow bonny, let down your milk, & I will give you a gown of silk, A gown of silk & a silver tee, If you'll let down your milk to me. —nursery rhyme All the winnowing world is rain-blind & blurred with mist. Let it be said: the dead are missed. The neighbors sold their late father’s herd last week, a plan promised since spring. I did not have to hear the cattle cry. They were just gone on my last walk. My child & I have loved their black shapes blending into dusk, their large heads slowly lifting to observe us, a shifting of planes & deep eyes, a light thrown back from the shadows, calves bedded down in the grass, one wild & leggy, willing to lope right through the fence & graze unbounded, while the others tried to call it back. Their blue vowels wove the tree-lines, the pasture-breast. The lamed bull dragged his hoof. Now only one mother & her calf are left to watch for dogs & coyotes alone, a vigil of senses all night. All the flies go to her now, her sides shivering with their welter. Otherwise she is smooth & many shades & silvers of black, a massive heat radiating off her flanks, her gaze taking us in as we approach the fence with melon rinds she will not take from our hands, preferring to eat them off the ground, her big flat teeth a patience of grinding, a sound like the way the earth will one day take us in.
Annie Woodford is the author of Bootleg (Groundhog Poetry Press, 2019), which was a runner-up for the Weatherford Award for Appalachian poetry. Her second book, Where You Come from Is Gone (2022), is the winner of Mercer University’s 2020 Adrienne Bond Prize. Her poems have recently appeared or are forthcoming in Beloit Poetry Journal, Michigan Quarterly Review, Mixtape, and Gulf Coast Online Exclusives. Find more at her website, anniewoodfordpoet.com
Stills from Sunset Boulevard, 1950, directed by Billy Wilder and starring Gloria Swanson and William Holden. Director of Photography: John F. Seitz. Production Design: Hans Dreier & John Meehan. Costume Design: Edith Head