The colorful images below, courtesy of the Metropolitan Museum of Art, were painted by an unidentified artist sometime around the turn of the twentieth century. These portraits on silk each represent a particular character from one of nine plays. Like most operas of this style, the characters hail from diverse sources — literature, military history, and myth — but play stock parts. There are four basic roles in traditional Peking opera: sheng, dan, jing, and chou, each of which have numerous subtypes. Sheng and dan are male and female leads (historically both played by men), jing is a villain, and chou, the clown. As Mei Chun details, complex personas were to be avoided. “The flatness is deliberate. Flatness in characterization contributes to the effect of moral contrast while rounder characterization could lead to ambiguity and disorder.” The characters’ painted makeup, known as lianpu, tracks back to masks worn by dancers during the Tang dynasty, and is mainly used for jing and chouroles. The colors and expressions convey moral qualities that were easily legible to audiences of the opera. From Public Domain Review https://publicdomainreview.org/collection/peking-opera
